acrylic painting/9in-12in/stretched canvas
c+c are always welcome


A very Merry Christmas and a Happy New Year to you,all!
Best wishes!

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Comment by Cristina Mihailescu on February 1, 2017 at 3:24

Hi Craig,thank you so much dear friend! Best wishes! 

Comment by Craig Seaborn on January 31, 2017 at 15:50

Great work Cristina , I have missed a lot of great work , it is nice to review things on this site.

Comment by Cristina Mihailescu on January 5, 2017 at 7:03

Thank you so much dear Jessica,same to you my friend! :-) 

Comment by Jessica Futerman on January 2, 2017 at 5:07

Best wishes to you & yours Cristina & many happy painting days in the new year! 

Comment by Cristina Mihailescu on December 29, 2016 at 13:19

Thank you so much dear artist friends Ian,Mairo and Linda,greatly appreciated! All the best and a very Happy New Year! 

Comment by Linda McNeill on December 28, 2016 at 2:46
Great work, Cristina, Merry Christmas to you!
Comment by Mairo Piroue on December 28, 2016 at 0:44
This a beautiful painting, Cristina, bravo!! You really have a way with this kind of figure and composition. I really like your style. Best wishes to you too. Happy new year!!
Comment by Cristina Mihailescu on December 27, 2016 at 5:08

Thank you so much,George! :-) 

Comment by Cristina Mihailescu on December 26, 2016 at 18:26

Wow, thank you again dear Michael for the thoughtful comments and great advices!

I appreciate you so much,many thanks!

A very Merry Christmas to you and yours! 

Comment by Michael J. Severin on December 26, 2016 at 7:50

Beautiful work you impressionist painter .. you!!!   Love the warm light glowing through her hair!! Beautiful music and poetry!! IMHO:  In future paintings like this, you might want to consider ... edge work.  Sometimes your figures seem "pasted" on because you have sharp edges everywhere.  Some possible areas where soft edges would be appropriate: 1. Some edges of the hat----  Mingle the figure into  HER background a little by softening some edges and letting the light "escape" in the other areas.  An example of escaping light:  instead of painting around her hat .. let some of the light flow into the background ..  make some of the light escape the confines of the hat. 2. the line where the black ribbon meets her shoulder .. too hard. 3.  where her back meets the grass is too hard.   Another way of making the figure part of the whole, is to introduce some of the surrounding tones into the figure .. reflected light ..... some of those greens reflected into the fleshtones and white dress would be awesome.  Take a look at Sorolla's paintings with people in them.  You are so accomplished at Impressionism Cristina!! .. keep up the good work. 

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