Oil on textured panel, 11' by 14", plein air My alizarin crimson didn't do the trick on making the flowers glow, so I had to use some flake white substitute and quinacridone red on the lit up flowers when I got back to the studio. Alizarin works just fine for most things.

Views: 105

Add a Comment

You need to be a member of The Complete Artist to add comments!

Join The Complete Artist

Comment by Dorian Aronson on August 5, 2015 at 16:19

Lots of nice stuff going on!  Most interesting is that glass block entrance way. Would love to stop there for lunch or just explore...........:-)

Comment by Stuart J. Gourlay on August 2, 2015 at 13:50

Thank you Cristina!!

Comment by Stuart J. Gourlay on August 2, 2015 at 13:41

Thank you Susan!!!

Comment by Susan Burke on August 2, 2015 at 10:02

Nice one, Stuart! However you got the color, you made the flowers sizzle and bring the entire painting together!

Comment by Cristina Mihailescu on August 2, 2015 at 4:11

Lovely!

Comment by Stuart J. Gourlay on August 1, 2015 at 13:35
Thanks Laura!! If you try it again, take along some quinacridone red; it is warmer and has more tinting strength than Alizarin. Actually, when you are painting a lot of flowers, quinacridone red is a better choice than Alizarin for your cool red.
Comment by Laura Xu on August 1, 2015 at 13:10

Wow! Stu, the bougainvillea just so beautiful! I have tried this scene last winter, I used Alizarin, it didn't work. I will try it again some time soon.

About

The Complete Artist is a friendly social network for all artists wanting to improve their painting.

Get my FREE Painting Lessons here!

Groups

Photos

  • Add Photos
  • View All

Events

© 2024   Created by Richard Robinson.   Powered by

Badges  |  Report an Issue  |  Terms of Service