In the photo, the cloth and silver vase seem very warm. In the painting, they come out very cool. This was not that apparent in actuality. This is a issue I would like to explore more and understand better.

Views: 687

Albums: Workshop8

Add a Comment

You need to be a member of The Complete Artist to add comments!

Join The Complete Artist

Comment by Marina Laliberte on April 11, 2012 at 18:50

Thank you Richard - this helps a lot.  Having a reference point makes all the difference in how to respond.   I had read Qiang Huang's post but not pay attention enough to apply it.  There is so much to learn from still lifes!

 

 

Comment by Richard Robinson on April 11, 2012 at 7:18

Yes I've noticed that a lot too. I think it's a combination of two things: the camera changing the colour and our eyes compensating for the overall colour of the light in the scene. For instance our brain will tell us that the table cloth is white when it's actually a warm light gray. I noticed the Qiang Huang came up with a great idea to compensate for this by placing a white electric light in the scene to compare the colours with. He used an iphone. Here's his blog post about that: http://qiang-huang.blogspot.co.nz/2012/03/harmony-under-warm-light....

About

The Complete Artist is a friendly social network for all artists wanting to improve their painting.

Get my FREE Painting Lessons here!

Groups

Photos

  • Add Photos
  • View All

Events

© 2024   Created by Richard Robinson.   Powered by

Badges  |  Report an Issue  |  Terms of Service