Workshop28

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Comment by Jessica Futerman on February 1, 2014 at 19:29

CONGRATULATIONS Ningning!!!  Happy for you :-)

Comment by Ningning Li on January 29, 2014 at 3:04

Nancy, Thanks. You are so right, the contrast of the value and tempreture of the colour make the painting more dramatic. Thanks to Richard's teaching.

Comment by Nancy Sands on January 28, 2014 at 17:21

Wow! This gorgeous painting just glows! Love how it goes from the hot sunset to the cool purples. Beautiful, Li.

Comment by Ningning Li on January 27, 2014 at 3:55

Gina, I am glad that you enjoy it. Thanks.

Comment by Gina Dalkin-Davis on January 26, 2014 at 14:47

Wow, Li.  Beautiful.  

Comment by Ningning Li on January 19, 2014 at 12:20

Adam, I am very happy that you like it. In fact, there is a place called "Punta Negra" near Lima, where I am living now, has the almost same scenery like this. I spent a few hours there to feel it. When I was painting this one, I felt  that I was on the site enjoying the last glorious moment of the day. Richard's technique and my feelings made it works. Thank you, Adam, for your encouragement.  

Comment by Adam Yax on January 19, 2014 at 6:34

This really is well done, thank you for sharing.

Comment by Sharon Casavant on January 11, 2014 at 1:56

gorgeous painting!

Comment by Vida Evenson on January 10, 2014 at 19:20

Love the way you worked the warm and cool colors.  Really nice :)

Comment by Ningning Li on January 8, 2014 at 15:36

Sharon, to answer your question,  it was painted wet on wet. Then I corrected some small mistakes the next day. I found that wet on wet can make the glowing and color changes more natural.  But it was not pleine aire as I did not paint on site. I just followed Richard teaching.

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