10" by 12" oil on panel. Glazed grisaille of "Outback Sunset"

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Albums: Workshop25

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Comment by Stuart J. Gourlay on September 25, 2013 at 21:26
Thanks Nancy. Stu
Comment by Nancy Sands on September 25, 2013 at 18:16
You really got that feeling of distance as the clouds loom overhead. Well done!
Comment by Stuart J. Gourlay on September 21, 2013 at 22:48
Patience! Stu
Comment by Dorian Aronson on September 21, 2013 at 21:18

That is what I used!

Comment by Stuart J. Gourlay on September 21, 2013 at 21:15
Alkyd medium is quick way to get it to dry. Stu
Comment by Dorian Aronson on September 21, 2013 at 21:12

Hi Stu

I have been so busy I haven't been watching what you were doing!  This one  makes me feel better!  If I can get mine to dry  perhaps I could doctor it up!  Do you know a quick way to get it to dry? Smiles to you : ))

Comment by Stuart J. Gourlay on September 20, 2013 at 11:42
No clue, Carolyn. Stu
Comment by Carolyn Brunsdon on September 20, 2013 at 3:52

Color sense, yep! What do you think RR is considering for the Project 1? I'm thinking he is going to get us involved in our own critiques...

Comment by Stuart J. Gourlay on September 20, 2013 at 2:56

No, my grays were made from ultramarine blue, a cool transparent red, and a warm transparent yellow (all from Michael Harding) plus quick-dry white from Gamblin.  My glaze was transparent yellow not Cad yellow.  If you don't want to get bruised (first black and blue, and then green and yellow) don't glaze yellow or orange on a COOL GRAY, only glaze them on a WARM GRAY!  That is my take away.   And bile is very vile when mixed with sttomach acid.  Stu

Comment by Carolyn Brunsdon on September 20, 2013 at 2:45

Ok, I see what you mean. But "regurgitated bile" is a bit strong! I do think the red glaze will help. Just curious, did you use the Cobalt Blue, then glaze with Cad Yellow? I did that in an area and got rid of it, for it was greenish. I think at the end of the day (sic) we will know how to handle glazes and sunsets. Great workshop.

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