Monet in Venice - Workshop 41

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Comment by Colin L. Williams on March 26, 2015 at 21:32

Thanks Sharon. Perhaps it's the stuff in the gondola that's a bit ambiguous. I think the Monet sketch and Richard's painting indicated something similar. It probably was a bit superfluous.

Comment by Sharon Casavant on March 26, 2015 at 12:15

Very nice light, but the shape of the gondola...

Comment by Lori Ippolito on March 25, 2015 at 16:56

Nice contrast between bg and fg..love your sky

Comment by Candi Hogan on March 25, 2015 at 16:26

Hi Colin, like your nice soft palette!  Especially like your water in the foreground!  My only suggestion would be to more gradually change from the way you handled the background water to the foreground.  Seems to me there is a distinct separation of the two right about in the middle of your painting.  What do you think?

Comment by Dorian Aronson on March 23, 2015 at 17:42

I am so happy  you have them secured!  Smiles ; -)

Comment by Silvana M Albano on March 23, 2015 at 17:06

Very nice Colin!

Comment by Cristina Mihailescu on March 23, 2015 at 12:01

Lovely!!

Comment by Michael J. Severin on March 23, 2015 at 10:38

Good work Colin.  I like the thick paint and your subdued color.  I would like to suggest that you soften your water edge at the horizon and soften your edges along those background buildings  ... that will make them recede into the distance.

Comment by Isabel Heller on March 23, 2015 at 4:34

I like your painting very much Colin.  I think you must be a sailor, your gondola is securely moored!  The light on the water is beautifully painted and the details of the buildings in the background too. There is something about the way the gondola is lying in the water that bothers me but I can't put my finger on it.  Congratulations on beautiful work.

Comment by Ruby on March 23, 2015 at 3:28

nice !!

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