From a tutorial by Herman Pekel, on a quarter imperial sheet of 300 gsm Arches rough. Daniel Smith pigments, watercolor.

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Comment by Jen C r u d e n on October 4, 2013 at 19:32

Jendrawan, hello. Came across your wonderful painting.   Do think you have captured it very well.  I was going to say about the building on the left, but saw that Michael has done so, and agree with him, as I also thought the left side was not needed and if just soft cityscape instead it would have been great. Feel the left side does detract from an otherwise excellent artwork. Do like the light coming across onto the right side.

Comment by Manneherrin on September 19, 2013 at 19:22

I love the color.. awesome render...

Comment by mario alberto velazquez on September 19, 2013 at 9:09

Extraordinaria pintura,,I agree with M ichael,,,maybe less color...

Comment by Michael J. Severin on September 19, 2013 at 0:45

Hi Jendrawan.  A very beautiful piece of artwork!!  Great depth and luminosity.  I do not think you need that large shape on the left? ....maybe just a distant, obscure skyline that will not compete with the bridge towers.  That shape, which is larger then the bridge (your subject), takes everything away from the bridge.  In my opinion (not worth a whole lot), the painting would look better if it ended a little to the left of the bridge tower?

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