Add a Comment
Yeah, let's see if I can do it justice with my painting. I finished my underpainting and it is drying. I used Gamblin's Fastmatte colors--they will be dry in 24 hours. My underpainting is all in color; the Fastmatte paints are very pigment laden and dry quite matte. I add a little OMS and a little Galkyd lite to make them flow a little better. I think I will post a blog on my methods as you did; I am taking photos as I go. I took the photo about 6 months ago. I keep my point and shoot camera in my car to take advantage of photo opportunities like this. What I did not tell you is in about a minute I am on the lower deck of an 8 mile bridge; so this is my view for the day of the sunrise. Pretty nice way to start out my commute. Coming home I am on the top deck and often catch a terrific sunset. I usually can safely snap some photos since my traffic is light both ways. The winter is our rainy season and cloud formations like this are quite usual. Keep working on those dogs! Stu
No, but I don't have any surgeries and no patients until 11:00 AM. So, I finished up my grisaille for the next workshop, and started on a sunup painting; I shot the photo reference out my windshield. That's the Richmond-San Rafael Bridge and my commute is to the East Bay. I'm attaching the photo reference. I liked the shapes and the blurred headlights and taillights. As you can see, I have a reverse commute from Marin across to the East Bay. I will keep this pretty loose. Have a great painting day and don't sweat those dogs. I use Galkyd lite routinely in all my layers and I usually use Gamblin's quidk dry white (alkyd modified oil). I can't stand waiting for paint to dry. For 30 years, I painted only in acrylics, but got back to oils about 13 years ago. Stu
Lori, I know you want this very realistic, but your really need to treat your dogs like they are a single mass ( or several masses) and pick out several for details; you may want to fill in between the left and center masses with some dogs, just to draw attention away from them. If your front dogs look ok, the viewer will fill in the details on the rest. Stand back from your painting several feet and take a look. Kind of the same as painting the forest vs. the individual trees. What grabs my eye right now are very straight path sides and lack of atmospheric perspective in the trees and cloned shapes above the left riders head. This is a very nice composition and will really look good when finished. I thought that I was obsessed with detail. Wow! Stu
The Complete Artist is a friendly social network for all artists wanting to improve their painting.
Get my FREE Painting Lessons here!
© 2024 Created by Richard Robinson. Powered by
You need to be a member of The Complete Artist to add comments!
Join The Complete Artist